Sound Tossing is an alternative type of street art that uses sound as a medium of creative expression in a public space. As the streets belong to the people, the intention is to appeal to anyone who wants to shape their acoustic space. While street art has a rich history in terms of the formation of the urban landscape, mainly through the appropriation of wall space, Sound Tossing offers a way to play with urban aesthetics through filling space with unique acoustic input. It provides new ways of adding meaning to public spaces.

Radio Convoy is an acoustic experiment, initiated by Johannes Kubin and Marianne Lang.
A pirate radio station will transmit artistic audio recordings of ten to twenty artists (most of them from fine arts) via radio. The whole setting is mobile, which means not only the pirate station will travel through Vienna but moreover the whole audience will try to track the station, in order not to lose the signal.

The “protected” and well-known exhibition spaces are abandoned and the city as a whole is understood as a playing field - a place for projects, artistic interventions and urban new media arts. Discoursive city walks with experts in science, arts and everyday life” explores the venues and locations of the festival, as well as its surroundings with “walking as a method”.

Sound Tossing is an alternative type of street art that uses sound as a medium of creative expression in a public space. As the streets belong to the people, the intention is to appeal to anyone who wants to shape their acoustic space. While street art has a rich history in terms of the formation of the urban landscape, mainly through the appropriation of wall space, Sound Tossing offers a way to play with urban aesthetics through filling space with unique acoustic input. It provides new ways of adding meaning to public spaces.

Over two days we’ll walk through complete examples introducing the OpenFrameworks system. Together we’ll build a simple drawing application, do image processing, learn how to network an installation using OSC, and program interactivity using real time face detection. The second day will be an open coding jam where participants will be free to begin pursuing bigger projects. We’ll be there to debug and give guidance on tackling your ideas.

Art, music and aggression can be the same thing. After many generations of youth who were obsessed with music, the boundaries between art and music are dissolved. Many artists create works that transform their ultra ego into a rock star. However, the artists can also be a music addict by exploring their own fetish for Vinyl records and other collectables. The essence of the encore is ones need for more. 
Curator: Max Lust

1) Glockengasse No 9: site-specific video animation, 3:4, Loop: A virtual room gets created, that outreaches the real and passes over into the imaginary domain seamlessly.
2) “Empty Rooms” in collaboration with Constantin Popp: Larcher created an animation in the format 16:9 for Popp’s compositions, which expand to infinity with the help of mirrors.

IN/SITE/OUT (Group Exhibition) Location: Magazin
Opening: Sat 24/09, 8 pm
Exhibition Dates: Tue 27/09 – Fri 30/09, 5–8 pm // Sat 01/10, 5 pm – 1 am
Re:Fwd: Bernhard Garnicnig / Benjamin Tomasi: Ono Mato, Po esis
Ubermorgen.com: Torture Classics
Reinhard Gupfinger: Sound Tossing
Christian Falsnaes: Beyond the parantel watch is danger...

An Experimental Outline for the Design of an Estonian Contemporary Media Art Museum and the Transient Interlace of Three Squares in Tallinn, Estonia, the Freedom Square, The Iceland Square and a “White Square” near the harbour, on the Occasion of the 20th Jubilee of Estonian Re-Independence in the Year 1991 of the 20th Century.

Underground City 21 Vienna (2009 – 2011) was developed to record snapshots, utopias and potentials in real and imaginary urban networks and to manifest their structures of communication and activities in installative and performative sculptures. The idea of public space, in all its sociocultural and political dimensions, as well as the imaginative borderlines between upper and under ground was discussed as part of a process of discourse within the fields of art.